Mary Cassatt
Mary Cassatt's Oil Paintings
Mary Cassatt Museum
May 22, 1844 - June 14, 1926. Was an American painter.

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Here are all the paintings of John Quidor 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
71480 Dorothea John Quidor Dorothea ca. 1823(1823) Oil on canvas 71 x 58.5 cm (27.95 x 23.03 in)
72660 Dorothea John Quidor Dorothea Date ca. 1823(1823) Medium Oil on canvas Dimensions 71 X 58.5 cm (27.95 X 23.03 in) cyf
72734 Money Diggers John Quidor Money Diggers Date ca. 1832(1832) Medium Oil on canvas Dimensions 40.5 X 53.2 cm (15.94 X 20.94 in) cyf
45221 Rip  Van Winkles Ruckkehr John Quidor Rip Van Winkles Ruckkehr mk181 Washing ton
4283 The Gold Diggers John Quidor The Gold Diggers   
89548 The Headless Horseman Pursuing Ichabod Crane John Quidor The Headless Horseman Pursuing Ichabod Crane oil, 26 7/8 x 33 7/8 in., 1858 cjr
32000 The Money Diggers John Quidor The Money Diggers mk7 16 5/8x21 1/2in
39059 The Money Diggers John Quidor The Money Diggers mk140 1832 Oil on canvas
71524 The Money Diggers John Quidor The Money Diggers ca. 1832(1832) Oil on canvas 40.5 x 53.2 cm (15.94 x 20.94 in)
4282 The Return of Rip van Winkle John Quidor The Return of Rip van Winkle 1829
71454 Wolfert's Will John Quidor Wolfert's Will ca. 1856(1856) Oil on canvas 68 x 86 cm (26.77 x 33.86 in)
72582 Wolfert's Will John Quidor Wolfert's Will Date ca. 1856(1856) Medium Oil on canvas Dimensions 68 X 86 cm (26.77 X 33.86 in) cyf

John Quidor
1801-1888 Quidor was born in Gloucester Co., N. J., and in 1826 moved to New York City where he studied painting under John Wesley Jarvis and Henry Inman. Afterward he lived on a farm near Quincy, Illinois, but returned to New York City in 1851. He was obliged to support himself by painting the panels of stage coaches and fire engines and died in abject poverty. Although Quidor was little appreciated in his own time, after his death he was accorded a place among the best early American artists. His paintings establish a mysterious romantic setting for scenes in which he mingled macabre elements with an earthy humor. Many of his works, such as Ichabod Crane Pursued by the Headless Horseman, in the Smithsonian American Art Museum, were inspired by the writings of Washington Irving, who was a personal friend. Irving's A History of New York gave Quidor the subjects for the four paintings in the Brooklyn (N. Y.) Institute: Dancing on the Battery (c. 1860), Peter Stuyvesant's Wall Street Gate (1864), Voyage of the Good Oloff up the Hudson (1866), and The Voyage from Communipaw to Hell Gate (1866). These show Quidor's characteristic mellow and harmonious color, poetic imagination, and naïve humor. He is represented in the Brooklyn Museum by three paintings: Dorothea, Money Diggers, and Wolfert's Will. He also painted religious subjects such as Jesus Blessing the Sick.
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