Mary Cassatt
Mary Cassatt's Oil Paintings
Mary Cassatt Museum
May 22, 1844 - June 14, 1926. Was an American painter.

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Here are all the paintings of Frederick Remington 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
4318 A Cavalryman's Breakfast on the Plains Frederick Remington A Cavalryman's Breakfast on the Plains   
4320 Apache Frederick Remington Apache   
4307 Arizona Cowboy Frederick Remington Arizona Cowboy   
4300 Bringing Home the New Cook Frederick Remington Bringing Home the New Cook   
41505 Buffalo Bill in the Spotlight Frederick Remington Buffalo Bill in the Spotlight mk162 1899 Oil on canvas 27x40
4308 Coming and Going of the Pony Express Frederick Remington Coming and Going of the Pony Express   
4312 Dismounted Frederick Remington Dismounted   
4298 Great Explorers Frederick Remington Great Explorers   
4319 His First Lesson Frederick Remington His First Lesson   
4305 If Skulls Could Speak Frederick Remington If Skulls Could Speak   
4302 Indian Trapper Frederick Remington Indian Trapper   
45959 Oil undated Geronimo Fleeing from camp Frederick Remington Oil undated Geronimo Fleeing from camp mk178 on linen
4304 Old Stage Coach of the Plains Frederick Remington Old Stage Coach of the Plains   
4311 Scout Frederick Remington Scout   
4316 Shotgun Hospitality Frederick Remington Shotgun Hospitality   
4324 The Advance Guard Frederick Remington The Advance Guard   
4299 The Buffalo Runner Frederick Remington The Buffalo Runner   
4325 The Emigrants Frederick Remington The Emigrants   
4310 The Fall of the Cowboy Frederick Remington The Fall of the Cowboy   
40845 The Fall of the Cowboy Frederick Remington The Fall of the Cowboy mk156 1895 Oil on canvas 63.5x89cm
4301 The Outlier Frederick Remington The Outlier   
4314 The Scout : Friends or Enemies Frederick Remington The Scout : Friends or Enemies   
4323 The Stampede Frederick Remington The Stampede   
4321 Turn Him Loose, Bill Frederick Remington Turn Him Loose, Bill   
4315 Victory Dance Frederick Remington Victory Dance   
74060 What an Unbranded Cow Has Cost Frederick Remington What an Unbranded Cow Has Cost oil on canvas, by the American artist Frederic Remington. 28 1/16 in. x 35 1/8 in. Yale University Art Gallery, gift of Thomas M. Evans, B.A. 1931. Courtesy of Yale University, New Haven, Conn. Date 1895(1895) cyf
4306 When Heart is Bad Frederick Remington When Heart is Bad   

Frederick Remington
1861-1909 Frederic Sackrider Remington (October 4, 1861 - December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry. Remington was the most successful Western illustrator in the ??Golden Age?? of illustration at the end of the 19th Century and the beginning of the 20th Century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington??s life as members of the ??School of Remington??. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers?? and publishers?? interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined. His collaboration with Owen Wister on The Evolution of the Cowpuncher, published by Harper??s Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington??s ideas. (Remington??s prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons??in truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary army on Long Island and the Mexicans who ranched in the Arizona and California territories).
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