Mary Cassatt
Mary Cassatt's Oil Paintings
Mary Cassatt Museum
May 22, 1844 - June 14, 1926. Was an American painter.

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Here are all the paintings of CAVALLINO, Bernardo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
5979 Clavichord Player df CAVALLINO, Bernardo Clavichord Player df Oil on canvas Mus??e des Beaux-Arts, Lyon
5980 Esther and Ahaseurus df CAVALLINO, Bernardo Esther and Ahaseurus df 1645-50 Oil on canvas, 75 x 102 cm Galleria degli Uffizi, Florence
20581 Lot and His Daughters (mk05) CAVALLINO, Bernardo Lot and His Daughters (mk05) Canvas,40 x 30''(101 x 76 cm)Given in 1983
5978 St Peter and Cornelius the Centurion dfg CAVALLINO, Bernardo St Peter and Cornelius the Centurion dfg 1640s Oil on canvas, 102 x 127 cm Galleria Nazionale d'Arte Antica, Rome
28652 Stoning of St.Stephen CAVALLINO, Bernardo Stoning of St.Stephen mk61 c.1650 Oil on canvas 71x93cm
5981 The Blessed Virgin fdg CAVALLINO, Bernardo The Blessed Virgin fdg 1650 Oil on canvas, 167 x 118 cm Pinacoteca di Brera, Milan
5977 The Ecstasy of St Cecilia df CAVALLINO, Bernardo The Ecstasy of St Cecilia df 1645 Oil on canvas Museo Nazionale di Capodimonte, Naples

CAVALLINO, Bernardo
Italian Baroque Era Painter, ca.1616-1656 Italian painter and draughtsman. He was the most individual and most poetic painter active in Naples during the first half of the 17th century. He painted mainly small cabinet pictures, on canvas or on copper, for dealers and for highly cultivated private patrons; he had few public commissions and apparently never painted any large-scale decorations for private or ecclesiastical patrons. His subject-matter is largely derived from the Old and New Testaments, the Apocrypha, Tasso and from Roman history and mythology. Documentary evidence for his life and work is almost non-existent, and he remains enigmatic and elusive as a historical figure. Yet as a painter he is strikingly distinctive, uniting a refinement and virtuosity of brushwork with an intensely naturalistic observation of surfaces, and complex and dramatic compositions with an extraordinary brilliance of palette. Only eight pictures are signed, initialled or inscribed with Cavallino's name. No works are documented and only five may be tentatively identified with pictures in mid-18th-century Neapolitan collections described by Bernardo de Dominici.
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