Mary Cassatt
Mary Cassatt's Oil Paintings
Mary Cassatt Museum
May 22, 1844 - June 14, 1926. Was an American painter.

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Here are all the paintings of Albert Pinkham Ryder 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
45408 Constance Albert Pinkham Ryder Constance mk181 bender 1896 Ol auf Leinwand 71.7x91.4cm
96550 Die Rennbahn oder der Tod auf einem fahlen Pferd Albert Pinkham Ryder Die Rennbahn oder der Tod auf einem fahlen Pferd 1895-1910 Medium oil on canvas Dimensions 72 X 89.5 cm cyf
66113 Evening Glow, The Old Red Cow Albert Pinkham Ryder Evening Glow, The Old Red Cow between 1870(1870) and 1875 Oil on canvas 20 x 22.8 cm (7.87 x 8.98 in)
72905 Grazing Horse Albert Pinkham Ryder Grazing Horse Date between 1872(1872) and 1878(1878) Medium Oil on canvas Dimensions 25.8 X 35.8 cm (10.16 X 14.09 in) cyf
72570 Illustrated Newspaper Albert Pinkham Ryder Illustrated Newspaper Date ca. 1868(1868) Medium Oil on canvas Dimensions 42.9 X 35.1 cm (16.89 X 13.82 in) cyf
4407 Jonah Albert Pinkham Ryder Jonah   
25713 Moon-light Marine (mk43) Albert Pinkham Ryder Moon-light Marine (mk43) Probably 1870sor 1880s, The Metropolitan Museum of Art,New York
70890 Moonrise Albert Pinkham Ryder Moonrise ca. 1870(1870) Oil on canvas 21.3 x 26.2 cm (8.39 x 10.31 in)
72329 Sheepfold Albert Pinkham Ryder Sheepfold Date ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 X 22.6 cm (8.46 X 8.9 in) cyf
4406 Siegfried and the Rhine Maidens Albert Pinkham Ryder Siegfried and the Rhine Maidens The National Gallery of Art, Washington D.C.
22295 Siegfried and the Rhine Maidens (mk19) Albert Pinkham Ryder Siegfried and the Rhine Maidens (mk19) 1888-1891 Oil on canvas,50 x 52 cm National Gallery,Washington (DC)
72252 Summer s Fruitful Pastures Albert Pinkham Ryder Summer s Fruitful Pastures Date between 1875(1875) and 1879(1879) Medium Oil on panel Dimensions 19.4 X 25.2 cm (7.64 X 9.92 in) cyf
71148 Summer's Fruitful Pastures Albert Pinkham Ryder Summer's Fruitful Pastures between 1875(1875) and 1879(1879) Oil on panel 19.4 x 25.2 cm (7.64 x 9.92 in)
22298 The Flying Dutchman (mk19) Albert Pinkham Ryder The Flying Dutchman (mk19) c 1887 Oil on canvas,36.1 x 43.8 cm National Museum of American Art,Washington (DC)
71657 The Grazing Horse Albert Pinkham Ryder The Grazing Horse between 1872(1872) and 1878(1878) Oil on canvas 25.8 x 35.8 cm (10.16 x 14.09 in)
71140 The Hunter Albert Pinkham Ryder The Hunter ca. 1880(1880) Oil on panel 14.8 x 29 cm (5.83 x 11.42 in)
89460 The Lovers' Boat Albert Pinkham Ryder The Lovers' Boat c. 1881 Medium oil on wood Dimensions 11 3/8" x 12" cjr
4405 The Race Track Albert Pinkham Ryder The Race Track Cleveland Museum of Art
32010 The Race Track Albert Pinkham Ryder The Race Track mk77 c.1886-1908 27 3/4x35 1/2in
71194 The Sheepfold Albert Pinkham Ryder The Sheepfold ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 x 22.6 cm (8.46 x 8.9 in)
71293 The Shepherdess Albert Pinkham Ryder The Shepherdess ca. 1880(1880) Oil on panel 25.7 x 17.3 cm (10.12 x 6.81 in)
39086 The Waste of Waters is Their Field Albert Pinkham Ryder The Waste of Waters is Their Field mk140 early 1880 Oil on canvas 28.8x30.5cm
71405 The Waste of Waters is Their Field Albert Pinkham Ryder The Waste of Waters is Their Field ca. 1880(1880) Oil on panel 28.8 x 30.5 cm (11.34 x 12.01 in)
4408 Toilers of the Sea Albert Pinkham Ryder Toilers of the Sea   
27987 Toilers of the Sea Albert Pinkham Ryder Toilers of the Sea c 1880-5 oil on wood 29.2 x 39.5cm (11 1/2 x 12in) Metropolitan Museum of Art New York (mk63)
72547 Waste of Waters is Their Field Albert Pinkham Ryder Waste of Waters is Their Field ca. 1880(1880) Medium Oil on panel Dimensions 28.8 X 30.5 cm (11.34 X 12.01 in) cyf

Albert Pinkham Ryder
1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.
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